LeAnn Rimes Strips Down ‘How Do I Live’ for Re-Imagined Version as Thank You to Fans
Re-Imagine ‘How Do I Live’ By LeAnn Rimes Available Now
(NASHVILLE) – It has been twenty-one years since LeAnn Rimes released possibly the greatest love song ever. Today, Rimes releases Re-Imagine, a beautiful rendition where she bares her soul, breaking down “How Do I Live”.
According to Billboard “How Do I Live” reached No. 2 on the Billboard Hot 100 in December 1997, reaching chart milestones left and right. The song eventually spent a then-record 69 weeks on the chart, nearly half of that in the top 10 alone — a record only recently broken by Ed Sheeran’s “Shape Of You” last year. And if you look at Billboard’s All-Time Top 100 songs ranking, you’ll see Rimes’ name sitting pretty at No. 4 for “Live.”
Re-Imagine is a slowed-down version of ‘How Do I Live.” The production is less smoke and mirrors and highlights what we have known all along, Rime’s vocals can still melt your heart, and cut deep, really deep. Re-Imagine takes you on a spiritual journey allowing you to experience “How Do I Live” like the very first time.
The new song, produced by powerhouse Darrell Brown serves as a personal thank you from Rimes to her fans. Re-Imagine is available at iTunes, Apple Music, Spotify and Amazon.
Jasmine Branch, better known by her stage name as JassyB, is a Pride SuperStar contender who recently was involved in a car accident that left her with injuries to the knee.
(HOUSTON) – Every year for the last twelve years, Pride Houston, Inc. calls for singing talent from all over the city to perform in its annual Pride SuperStar singing competition. The American Idol-esque stage show is hosted every Thursday night at Rich’s Houston and is hosted by the insurmountably talented Wendy Taylor (who has competed in both Pride SuperStar and on American Idol). There, twelve performers take the stage with a microphone to match that week’s theme; and each week, contestants are eliminated. And while each contestant faces a unique set of challenges every single week, a recent automobile accident left one contestant in the hospital with injuries to her knee, which will inevitably result in a much more difficult performance at tonight’s show.
Jasmine Branch, or JassyB, is a 29-year-old Houston transplant from Louisiana who recently came to Houston with her partner ready to expand her musical following and make her dreams of being a performer come true. Only, after the aforementioned accident on Garth Rd. last week left her with some mobility issues, Jasmine will take on the challenge in a new way that none of the other performers will be forced to face.
Jasmine’s medical bills and car troubles are on a constant rise; and without the approval of a doctor stating it’s safe from a medical stand point, Jasmine is unable to work. That being said, hostess, fellow musician, and newfound friend, Wendy Taylor, has taken on the task of starting a GoFundMe fundraiser to help Jasmine take care of what she needs to not only keep her in the competition, but to make sure she gets back on her feet — literally.
Jasmine sat down to talk to About Magazine.
About Magazine: Do you want to start by telling me a little about your life in music and also about what brought you to Houston from Louisiana?
Jasmine: Well, I’ve been singing since I could talk. I have done a few shows in Louisiana; I was on TV back home; I made it through a few rounds in American Idol. I consider myself to be a pop/R&B artist. My artist name is JassyB! And that’s also my fan page name. I have a few videos on Facebook that have hit 5+ million views. I have a YouTube and an Instagram. I recently moved to Houston where I need to build a platform and fan base. My partner is the reason I traveled out here. Also because Shreveport, Louisiana is a tiny city and I felt [that] in order to grow, I needed to move to a bigger city. So it was a plus that she lived here. I am currently working on a new single “Better Without You”.
So, now that you’re performing in Pride Superstar, what have you learned so far and what do you think you’ll take away at the end?
I have learned to step out of the box and get out of my comfort zone. I have also learned to not be afraid to be myself. I am challenging myself with new songs; and I’m hoping at the end I will have met wonderful people who will not only be great friends but friends that can help benefit my future. I will also be glad that I met a few other singers because I love to surround myself with music.
Have you made some new friends through this competition?
Yes, a bunch of new friends.
So, tell me the importance of Pride to you? And how important do you think this sort of competition is to LGBTQ artists out there like yourself?
Pride is very important to me. I take it very seriously. People have died standing up for something they believe in; and that is Pride. I feel like it’s important to the LGBTQ+ community because it’s letting people know it’s okay to be who they wanna be and do what they wanna do. For instance, Ada Vox on American Idol. We are proud. We are here. We are coming out! So, I would say to any artist that is LGBTQ+: Do not be afraid, and be true to who you are!
Do you mind telling me a little about the injuries and events of the accident?
So we were getting this car from a financing company, and we have been having some problems with the car because it was pre-owned and the warranty was “as is.” We were having some problems with the brake lights and brakes. So, we were driving down Garth Rd., and a truck in front of us slammed on his breaks and we did the same and slid right into the back on the truck, completely totaling our car! I ended up at the hospital with knee pain, and they told me that my knee was fractured and dislocated. Being that I’m from Louisiana, I don’t have insurance in Texas yet, so all my expenses are gonna have to be out of pocket. Well, since I hurt my knee, I can’t work for a while being that my job is nothing but standing and walking around. I can’t stand or walk too much or lift anything heavier then 10 pounds. So, I’m also looking for a job where I can sit or do light standing.
If you could tell any other aspiring queer singers and musicians anything about going into this industry, what would that be?
Go in with an open heart and open mind. Be free and express yourself. Dress how you want. Be bold. Be beautiful. Be brave. Also, go in ready to work, because in this industry, you have to work to get where you wanna be.
From love stories to tales of prejudice, bigotry and the struggle for equal rights, here are five fantastic films focused on the lesbian, gay, bi-sexual and transgender communities, all of which come highly recommended by our expert critics.
Brokeback Mountain ; Ang Lee; 2005 (pictured) Starring: Jake Gyllenhaal, Heath Ledger, Michelle Williams
An obvious choice, perhaps, but nevertheless a watershed moment for pink cinema. Visionary director Lee’s tale of two cowboys who fall in love but must keep their feelings secret brought the subject of sexuality to mainstream audiences.
Patrick, Age 1.5 ; Ella Lemhagen; 2008 Starring: Gustaf Skarsgard, Torkel Petersson, Tom Ljungman
Not the most common question in the annals of film- what would happen if a gay Swedish couple adopted what they thought was an 18-month-old orphan, but instead took in a 15-year-old homophobic delinquent- Lemhagen’s film is witty and touching.
Pride ; Matthew Warchus; 2014 Starring: Bill Nighy, Imelda Staunton, Dominic West
One of 2014’s triumphs, a group of gay rights activists living in London during the 1980s take it upon themselves to get involved in the plight of Welsh miners, who are suffering at the hands of Margaret Thatcher’s unforgiving economic policies.
The Chinese Botanist’s Daughter ; Sijie Dai; 2006 Starring: Mylene Jampanoi, Xiaoran Li, Dong Fu Lin
Beautifully shot and exceptionally well-written, in the house of a famous Chinese botanist teacher, the educator’s daughter falls for a female intern, but due to the inherent prejudices of society, and her family, their relationship cannot be revealed.
Transamerica ; Duncan Tucker; 2005 Starring: Felicity Huffman, Kevin Zegers, Fionnula Flanagan
Pre-operative male-to-female transexual, Bree, discovers that she fathered a son during a previous relationship, and the kid is now a teenage runaway living and hustling on the streets of New York. Rightly acclaimed, Transamerica should be filed under ‘Must See’.
Boys Don’t Cry ; Kimberley Peirce; 1999 Starring: Hilary Swank, Chloe Sevigny, Peter Sarsgaard
After adopting the male identity of Brandon Teena (born Teena Brandon), the world is opened up to the leading man, who takes to the road, eventually finding a new life, and the exciting prospect of love in Nebraska.
Bound ; Andy Wachowski, Lana Wachowski; 1996 Starring: Jennifer Tilly, Gina Gershon, Joe Pantoliano
Another legendary flick, before The Matrix the Wachowski siblings gave us this tale of a tough female ex-con, Corky, and the passionate affair she has with Violet after the two come up with a scheme to steal millions from the mafia.
One of the most underrated drag/live singing performances in Montrose is at Michael’s Outpost every Monday night.
(HOUSTON) — After leaving an event last night, I went out into Montrose waiting for something to happen. I wasn’t sure what it was I was waiting for; but I knew that if I could be patient, it would manifest. Was it that I was going to meet a man? Would I run into some old friends I hadn’t seen in years? Or was it just that I might get drunk and find myself having a good time amongst strangers? I couldn’t ascertain the specifics of this premonition, but I knew that if I could wait it out, something magical would happen.
So, I made my rounds. I started first at Guava Lamp, where I had one drink and chatted with a few friends. Fun, but nothing particularly magical about it. I jumped over to Ripcord, where—as per the usual—the Monday night crowd was light and quiet (just the way I preferred my bar scenes). I had another drink there before deciding I was barking up the wrong tree. Nothing unusual was taking place in Montrose proper; and I therefore forged my way toward Richmond for a glass of Cab at Michael’s Outpost.
And that’s where it happened. It was there that I found myself sitting in a half-full bar where before me stood a trope of entertainers performing songs from some of Broadway’s seminal hits throughout the recent decades.
Be still my beating, gay boy heart.
Hosting The Broad’s Way was the lovely Regina Blake-DuBois, a drag queen I’d seen perform a handful of times and whose performances I’ve always enjoyed. Rolling out the remainder of the cast was singer Scott Lupton, drag king Richard Long, songstress Chaney Moore, and queen Mia Opulent Love, each performing showtunes from the 70s, 80s, 90s, and 2000s.
Let me just interrupt myself to say that while, yes, this is a drag show, it isn’t just a drag show. It’s actually the only show in Houston that incorporates drag queens, kings, and live singers. And when those performers and doing the best of Broadway, there’s nothing more that a theatre-geek gay boy who has seen Wicked onstage nine times like myself could ask for. (Pause to add that I was disappointed I didn’t catch Regina on one of her Wicked performancedays, as she states they are frequent).
I entered late in the show, with Blake-Dubois entertaining her group that seemed to consist of many regulars. Her hosting style is on-point: she’s funny … but doesn’t mind roasting herself when a joke falls flat or a line doesn’t quite work. And she knows how to keep the audience paying attention (even if that means jokingly reminding them that her phone number is carved into the wall of a bathroom stall). What’s best about her as a hostess, however, is that she really knows her shit. Blake-DuBois’s own theatre nerdiness packs into each joke that she tells the audience.
Now, to say that I almost lost my shit more than once last night would be a bit of an understatement. After all, when Chaney Moore (who last night joined the show as a regular performer) pulled out a show-stopping rendition of “Living in Hell” from Saucy Jack and the Space Vixens, I was done. TAKE MY MONEY! Granted, I only had three one-dollar bills on me, so I had to make sure they lasted (they did not). Her voice is so clean and smooth. The way she jumps into her upper-register sounds effortless, only to come back down and belt out a note bigger than the bar itself. I was certain that none of the other performers would be able to follow her up. Then came the glitter-beard king, Richard Long, with his comedic take on “Do You Hear the People Sing?” from Les Miserables. Who knew that Enjolras could make me laugh with a song of revolution in 19th century France?
Of course, I would be remiss if not to mention Scott Lupton’s rendition of “We Beseech Thee” from Godspell. I’m not entirely sure what I was expecting when Lupton took the microphone, but as someone who was previously unfamiliar with his powerhouse voice, I was completely blown away. A song that is often sang with breathy haste was well-paced, lively, interactive, and downright extraordinary. Even when it came time for the key change (which Lupton funnily made sure to mention to the viewers), the entire song was flawless. As for Mia Opulent Love, the queen in her beautiful green wig danced away to a number from Sweet Charity (a favorite show of mine), which she took the liberty of not only making into a fun, vibrant performance, but one that was tinged with just a bit of her trademark sexiness that she brings to every performance.
And as the show was winding down, Ms. Blake-DuBois had taken to the back to change (as Love took the mic and regaled us with improptu stories of how someone had asked her if her green hair was natural). When she returned, she donned an effervescent pink coat and knee-high red boots. I knew then, for certain, she could only be bringing to life one of two characters—Glinda the Good of Wicked, or Elle Woods of Legally Blonde. Whether she’d be tackling “Popular,” “Positive,” or any of the other numbers from either musical, I’d be pleased.
Alas, she made a point of mentioning she would not be performing from Wicked, but that she’d be doing a number that was, in her words, “a little more legal.”
Thus came her finale performance of “So Much Better” from Legally Blonde: The Musical, which opened on Broadway in 2007 scoring seven Tony Award nominations, including Best Original Score of a Musical, and Best Performance by a Leading Actress for Bundy as Elle Woods. The show would go on to tape a live performance for MTV, host a reality show in which actresses competed to be the next Elle Woods, and has seen international productions and tours.
It was also the very first musical I ever saw live right here in Houston when the first national tour came through the Hobby Center stage, brought to us by Theatre Under the Stars. That year (2009), the lead actress, Becky Gulsvig, had broken her toe while on tour, and Broadway’s leading lady, Laura Bell Bundy, had stepped in to fill her shoes. It’s one of my best memories and the musical holds a very special place in my heart. So, when Regina Blake-DuBois took on the task of lip-syncing and dancing the choreography to “So Much Better” (the act one showstopper that is considerably one of the hardest numbers in Broadway history to sing, right up there with “Defying Gravity”) I knew I’d found my Montrose magic. Hell, she even demonstrated the difficult Elle Woods high-kick at the end of the song (which once ended in Bundy launching her shoe into the audience). And, as luck would have it, I’d run out of ones at that point.
What got me about this production was that, while there was a good number of people there to see it, Michael’s Outpost wasn’t quite as full as I’ve seen it for its many other wonderful shows. From Eye-Cons to Cabernet at the Cabaret, Michael’s is usually good about packing out its seats for performances. Maybe it’s just the luck of having a Monday night show, or maybe the night was just slower than usual. Either way, everyone in the neighborhood that loves the theatre (and I do believe that accounts for a large demographic of LGBTQIA people) should make the time to head to Michael’s Outpost to catch this incredible cast put on one helluva show. With a new Broadway-centric theme each week, Regina and her chorus of talented entertainers put on a fun, audience-interactive show that brings the Broadway stage right into Michael’s Outpost every Monday night. And no matter when you make it out there to see it, The Broad’s Way is certain to never disappoint.
Michael’s Outpost is located at 1419 Richmond Ave. and is open 7 days a week with shows (some drag and some live piano) every night.