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Former Real World Star Davis Mallory Dance with Me Video

Davis Mallory Music video Dance with Me

Davis Mallory Releases Retro-Inspired Music Video for Electropop Banger “Dance With Me”

Nashville Singer-Songwriter and MTV’s Real World and Challenge alumnus Davis Mallory released a music video for his latest single, “Dance With Me,” on April 4, 2018.

The music video was shot with a vintage look in mind and references a retro-70s era pop style in wardrobe. The goal was to create something that feels old yet new.

“I worked with Micah Atkinson, film student graduate of the Watkins Film School and director of the music video for my song ‘Not That Far Away,’” said Mallory. “Micah dreamt up the different scenes for the video.”

A rose motif was used throughout the video and manifests itself throughout many scenes. A wall with projections of falling rose petals and blooming roses, Mallory holding a rose as his silhouette displays on a screen, and roses dispersed around his body as he’s talking to someone through a rotary dial telephone are just a few instances.

Several aesthetic features inadvertently made their way into the video the day of the shoot.

Davis1 Former Real World Star Davis Mallory Dance with Me Video“I did not intend to have a mustache; however, shaved one on the day of the shoot and liked the way it looked so kept it for the video,” Mallory said. “My friend and publicist (David Garcia) wore a cool jacket with fringe. He was modeling behind the curtain, and we saw how cool it looked, and I wound up wearing his jacket.”

“Dance With Me” was officially released on March 7. It is an electropop track co-written by Mallory and produced by French DJ Loic Penillo. It was released under French record label Sidekick Music. The song is about the potential for love that exists when you first ask someone to dance with you.

Mallory wrote “Dance With Me” as a topline over an instrumental sent by Penillo. Both artists met before attending Amsterdam Dance Event.

“I wrote ‘Dance With Me’ in September 2017 at a time in my life when I’d been single for a while and, admittedly, felt lonely as evidenced in the lyrics,” Mallory said. “’I’m lost in the lonely, but it’s too hard to show it’ – ‘My head gets caught in the moment, but my heart doesn’t know it’ references my tendency to fall in love quickly with a cute guy but realizing I need to slow things down and be ready for the right person.”

“In the bridge, I referenced one of my favorite songs off Britney Spears’ album Glory, “Hard to Forget Ya”  – ‘You’re on my mind, I just can’t forget ya’ ([Spears’ lyrics] are: ‘there’s something about you, I just can’t forget ya’)”

Davis2 Former Real World Star Davis Mallory Dance with Me Video“Dance With Me” is Mallory’s first release in 2018 and follows his many successes the year prior. Mallory signed singles to record labels for the first time in 2017. Landis’ “Loud (feat Davis Mallory)” dropped on Grammy-nominated French producer Cedric Gervais’ Delecta label and earned him a Spotlight Artist feature on the label’s website. This was followed by a collaboration with Swedish producer John Dahlback (Lady Gaga, Swedish House Mafia, Avicii) on a release titled “Anyone Would Know,” a cornerstone of Dahlback’s Color In My Heart EP on Armada Records. His debut EP, LOUD, was released on July 7, 2017, and spawned music videos for the title track, “Be Without You”, and “Because of Love”, which nabbed a feature on EDM powerhouse blog YourEDM. He toured the US after the EP’s release – kicking off at Milwaukee Pride (alongside Betty Who & Todrick Hall) and performing in Nashville, LA & NYC. Mallory’s hard work and touring in conjunction with the publicity his album garnered set off a snowball effect – his social media channels began seeing a spike in traffic, leading to “Loud” and “Somebody’s Watching”, a release separate of his EP, surpassing 100,000 listens on Spotify and still rising.


About Davis: 

Davis Mallory is a singer-songwriter, DJ and former reality TV-star appearing on MTV’s The Real World: Denver and three seasons of the MTV game show The Challenge. He is represented by Vocal Kitchen: a Dutch agency that pairs singers with the world’s top producers and DJs. Mallory is actively focused on touring for his debut EP, LOUD, which he independently released in 2017. His international tour to promote LOUD kicked off at Milwaukee Pride – where he performed with the likes of Todrick Hall and Betty Who – and continued into LA, NYC, Nashville and Europe. Mallory’s high-energy live shows include choreographed dancers, a video wall with custom visuals, and a live band playing alongside original EDM tracks.

Upon completing his stints on MTV’s Real World and Challenges, Mallory’s passion for music drove him into some of the nation’s leading entertainment cities. He found his calling creating music and moved to New York City to actively pursue this dream. While in the Big Apple, Mallory studied music at Dubspot School of Electronic Music and performed as a DJ throughout the club-scene before migrating to the songwriting capital of the world: Nashville, TN.

Moving to Nashville proved most fruitful to Mallory’s singer-songwriter career. To date, he has written over 300 songs. “Beautiful Girls (Diem’s Song)”, a tribute to MTV co-star Diem Brown who lost her battle to cancer, was released in 2014 and was Mallory’s first original song released on iTunes and Spotify. The song garnered attention by media giants such as People MagazineUS Weekly, E! News and MTV. 2017 was a year of groundbreaking achievements and collaborations. Mallory signed singles to record labels for the first time. Landis’ “Loud (feat Davis Mallory)” released on Grammy-nominated, DJ/producer Cedric Gervais’ label Delecta. This was followed by a collaboration with Swedish producer John Dahlback (Lady Gaga, Swedish House Mafia, Avicii) on a release titled “Anyone Would Know” – a cornerstone of Dahlback’s Color In My Heart EP released under Armada Records. “Not That Far Away” received in-store play in Walgreens around the USA, “Help” & “Loud (BPT Remix)” received retail radio play throughout France, and “Loud (BPT Remix)” was selected by Universal Music Group’s FameHouse division, placing it in Spotify’s Dance/Workout Playlists.  Mallory’s single with 17-year-old producer LUURK, “Somebody’s Watching”, accumulated over 250,000 Spotify plays organically.

Most recently, Mallory teamed up with French producer Loic Penillo on the electropop track “Dance With Me”, which is signed to French record label Sidekick Music. It is the first of many singles Mallory has lined up for release in 2018.


Website | Facebook | SoundCloud | YouTube | Spotify

Instagram: @DavisMallory | Twitter: @DavisMallory

Alisha Mae Gets “Bold” For Debut Single Release

Alisha Mae debut single

With Over Twenty-Three Million Views Social Media Sensation Alisha Mae To Release Debut Single “Bold” On April 20th

(NASHVILLE)– Social media singing sensation Alisha Mae is set to release her highly anticipated new single “BOLD” on April 20th. The powerful, upbeat rhythm paired with Mae’s wide vocal range highlighting Alisha’s edgy spin and modern country flare. The debut single delivers an anthem of positivity and strength of the ages.

Excitement among Mae fans is building on social media as they eagerly await the release of Mae’s debut single “Bold.” Mae found success after recording the moving ballad “Dancing In The Sky.” A song that Mae found comforting after the sudden loss of a family member. The recording became an instant viral hit on social media, racking up over twenty-three million views on Facebook alone. A journey that was filled with emotions.

As the 2018 calendar is filling up for new country releases, the social media sensation is giving her fans a taste of something ‘wild’ and ‘bold.’

“Bold” will be Mae’s first studio release that has an irresistible beat and risky flare, the lyrics dare you to live life to the fullest. “You know I don’t like to take things slow, let’s be wild, let’s be bold.” Those words have never been truer for Alisha Mae, and her fans will surely agree.

The 26-year old Virginia native won over fans in every territory with her incredible rendition of ‘Dancing In The Sky’, by Danny & Lizzy. The song was originally released on the musical app Smule™ propelling her into the country music spotlight. Mae has been creating a viral world that interacts with her followers and displays her outstanding vocal ability with hard-hitting and empowering words.

“Bold” was produced by Nashville legend Kent Wells. Wells is long-time musical director and producer for Dolly Parton. Wells has worked with artists like Reba McEntire, Travis Tritt, Linda Davis and Curtis Braly. Written by Corey Lee Barker, Mark Barnowski, and Allie L Shermetaro.

“Bold” will be available for pre-order April 9th and will be released across all streaming platforms April 20th.

Re-Imagined ‘How Do I Live’ By LeAnn Rimes Available Now

LeAnn Rimes Strips Down ‘How Do I Live’ for Re-Imagined Version as Thank You to Fans

Re-Imagine ‘How Do I Live’ By LeAnn Rimes Available Now

(NASHVILLE)  – It has been twenty-one years since LeAnn Rimes released possibly the greatest love song ever. Today, Rimes releases Re-Imagine, a beautiful rendition where she bares her soul, breaking down How Do I Live”.

According to Billboard “How Do I Live” reached No. 2 on the Billboard Hot 100 in December 1997, reaching chart milestones left and right. The song eventually spent a then-record 69 weeks on the chart, nearly half of that in the top 10 alone — a record only recently broken by Ed Sheeran’s “Shape Of You” last year. And if you look at Billboard’s All-Time Top 100 songs ranking, you’ll see Rimes’ name sitting pretty at No. 4 for “Live.”

Download today!

Re-Imagine is a slowed-down version of ‘How Do I Live.” The production is less smoke and mirrors and highlights what we have known all along, Rime’s vocals can still melt your heart, and cut deep, really deep. Re-Imagine takes you on a spiritual journey allowing you to experience “How Do I Live” like the very first time.

The new song, produced by powerhouse Darrell Brown serves as a personal thank you from Rimes to her fans. Re-Imagine is available at iTunes, Apple Music, Spotify and Amazon.

Magic in Montrose: The Broad’s Way

One of the most underrated drag/live singing performances in Montrose is at Michael’s Outpost every Monday night.

(HOUSTON) — After leaving an event last night, I went out into Montrose waiting for something to happen. I wasn’t sure what it was I was waiting for; but I knew that if I could be patient, it would manifest. Was it that I was going to meet a man? Would I run into some old friends I hadn’t seen in years? Or was it just that I might get drunk and find myself having a good time amongst strangers? I couldn’t ascertain the specifics of this premonition, but I knew that if I could wait it out, something magical would happen.

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Regina Blake-DuBois

So, I made my rounds. I started first at Guava Lamp, where I had one drink and chatted with a few friends. Fun, but nothing particularly magical about it. I jumped over to Ripcord, where—as per the usual—the Monday night crowd was light and quiet (just the way I preferred my bar scenes). I had another drink there before deciding I was barking up the wrong tree. Nothing unusual was taking place in Montrose proper; and I therefore forged my way toward Richmond for a glass of Cab at Michael’s Outpost.

And that’s where it happened. It was there that I found myself sitting in a half-full bar where before me stood a trope of entertainers performing songs from some of Broadway’s seminal hits throughout the recent decades.

Be still my beating, gay boy heart.

Hosting The Broad’s Way was the lovely Regina Blake-DuBois, a drag queen I’d seen perform a handful of times and whose performances I’ve always enjoyed. Rolling out the remainder of the cast was singer Scott Lupton, drag king Richard Long, songstress Chaney Moore, and queen Mia Opulent Love, each performing showtunes from the 70s, 80s, 90s, and 2000s.

Let me just interrupt myself to say that while, yes, this is a drag show, it isn’t just a drag show. It’s actually the only show in Houston that incorporates drag queens, kings, and live singers. And when those performers and doing the best of Broadway, there’s nothing more that a theatre-geek gay boy who has seen Wicked onstage nine times like myself could ask for. (Pause to add that I was disappointed I didn’t catch Regina on one of her Wicked performance days, as she states they are frequent).

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Chaney Moore

I entered late in the show, with Blake-Dubois entertaining her group that seemed to consist of many regulars. Her hosting style is on-point: she’s funny … but doesn’t mind roasting herself when a joke falls flat or a line doesn’t quite work. And she knows how to keep the audience paying attention (even if that means jokingly reminding them that her phone number is carved into the wall of a bathroom stall). What’s best about her as a hostess, however, is that she really knows her shit. Blake-DuBois’s own theatre nerdiness packs into each joke that she tells the audience.

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Richard Long

Now, to say that I almost lost my shit more than once last night would be a bit of an understatement. After all, when Chaney Moore (who last night joined the show as a regular performer) pulled out a show-stopping rendition of “Living in Hell” from Saucy Jack and the Space Vixens, I was done. TAKE MY MONEY! Granted, I only had three one-dollar bills on me, so I had to make sure they lasted (they did not). Her voice is so clean and smooth. The way she jumps into her upper-register sounds effortless, only to come back down and belt out a note bigger than the bar itself. I was certain that none of the other performers would be able to follow her up. Then came the glitter-beard king, Richard Long, with his comedic take on “Do You Hear the People Sing?” from Les Miserables. Who knew that Enjolras could make me laugh with a song of revolution in 19th century France?

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Scott Lupton

Of course, I would be remiss if not to mention Scott Lupton’s rendition of “We Beseech Thee” from Godspell. I’m not entirely sure what I was expecting when Lupton took the microphone, but as someone who was previously unfamiliar with his powerhouse voice, I was completely blown away. A song that is often sang with breathy haste was well-paced, lively, interactive, and downright extraordinary. Even when it came time for the key change (which Lupton funnily made sure to mention to the viewers), the entire song was flawless. As for Mia Opulent Love, the queen in her beautiful green wig danced away to a number from Sweet Charity (a favorite show of mine), which she took the liberty of not only making into a fun, vibrant performance, but one that was tinged with just a bit of her trademark sexiness that she brings to every performance.

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Mia Opulent Love

And as the show was winding down, Ms. Blake-DuBois had taken to the back to change (as Love took the mic and regaled us with improptu stories of how someone had asked her if her green hair was natural). When she returned, she donned an effervescent pink coat and knee-high red boots. I knew then, for certain, she could only be bringing to life one of two characters—Glinda the Good of Wicked, or Elle Woods of Legally Blonde. Whether she’d be tackling “Popular,” “Positive,” or any of the other numbers from either musical, I’d be pleased.

Alas, she made a point of mentioning she would not be performing from Wicked, but that she’d be doing a number that was, in her words, “a little more legal.”

Thus came her finale performance of “So Much Better” from Legally Blonde: The Musical, which opened on Broadway in 2007 scoring seven Tony Award nominations, including Best Original Score of a Musical, and Best Performance by a Leading Actress for Bundy as Elle Woods. The show would go on to tape a live performance for MTV, host a reality show in which actresses competed to be the next Elle Woods, and has seen international productions and tours.

lb Magic in Montrose: The Broad's WayIt was also the very first musical I ever saw live right here in Houston when the first national tour came through the Hobby Center stage, brought to us by Theatre Under the Stars. That year (2009), the lead actress, Becky Gulsvig, had broken her toe while on tour, and Broadway’s leading lady, Laura Bell Bundy, had stepped in to fill her shoes. It’s one of my best memories and the musical holds a very special place in my heart. So, when Regina Blake-DuBois took on the task of lip-syncing and dancing the choreography to “So Much Better” (the act one showstopper that is considerably one of the hardest numbers in Broadway history to sing, right up there with “Defying Gravity”) I knew I’d found my Montrose magic. Hell, she even demonstrated the difficult Elle Woods high-kick at the end of the song (which once ended in Bundy launching her shoe into the audience). And, as luck would have it, I’d run out of ones at that point.

What got me about this production was that, while there was a good number of people there to see it, Michael’s Outpost wasn’t quite as full as I’ve seen it for its many other wonderful shows. From Eye-Cons to Cabernet at the Cabaret, Michael’s is usually good about packing out its seats for performances. Maybe it’s just the luck of having a Monday night show, or maybe the night was just slower than usual. Either way, everyone in the neighborhood that loves the theatre (and I do believe that accounts for a large demographic of LGBTQIA people) should make the time to head to Michael’s Outpost to catch this incredible cast put on one helluva show. With a new Broadway-centric theme each week, Regina and her chorus of talented entertainers put on a fun, audience-interactive show that brings the Broadway stage right into Michael’s Outpost every Monday night. And no matter when you make it out there to see it, The Broad’s Way is certain to never disappoint.


Michael’s Outpost is located at 1419 Richmond Ave. and is open 7 days a week with shows (some drag and some live piano) every night.