The feud between former 93Q radio producer Al Farb and About Magazine editor Anthony Ramirez has taken a turn.
(HOUSTON) – While both About Magazine editor-in-chief, Anthony Ramirez, and former 93Q radio producer, Al Farb, have maintained their feud that began earlier this year (which About Magazine reported first [and alone]), new developments have taken place. It’s said that back in January, Farb snubbed Ramirez at the Dessie’s Drag Race season finale held at Rich’s when they stood next to one another at the bar. And since, fans of both Ramirez (affectionately dubbed ‘Fanthonys’) and of Farb (less affectionately dubbed ‘Pal Farbs’) have been more at odds than supporters of Hillary Clinton and Donald J. Trump.
However, this past Friday, Ramirez reached out to Facebook friends asking for recommendations on the best Chinese restaurants between Downtown Houston and Chimney Rock going south on Highway 59. And to the shock of many (at least to singer and entertainer Wendy Taylor), Farb (who most recently made the move to Dallas and is working as the host of country radio’s 96.3 KSCS’s Afternoon Drive) chimed in with a genuine response seen here:
Ramirez responded cordially to the suggestion, but let Farb know that if he was wrong, there would be repercussions. He’s rumored to have told a friend (who wishes to remain anonymous), to be prepared to seek revenge on Farb if the food was dissatisfying.
“Al Farb swears this is the best Chinese food […] so if it’s not, we’re going to Dallas to burn down his high-rise.”
The restaurant in question was Fu’s Garden at San Felipe and Augusta. And, to the surprise of many, Ramirez not only enjoyed the dinner, but also responded to Farb with appreciation, affectionately referring to him as “meshuggah.”
When About Magazine reached out to Al Farb to ask the status of his feud with Ramirez, he responded:
“Who? I live in Dallas now. I’m busy.”
When we reached out to Ramirez about the feud, he stated:
“Farb is only mad because I refuse to be a fifth wheel. Also, isn’t this a conflict of interest? I will Miranda Priestly you so quick.”
Friend of both Farb and Ramirez (but mostly Ramirez), Wendy Taylor, hesitated to comment. Finally, after some slight harassment and black mail, she replied:
“I don’t know what to say! I’ve enjoyed it thoroughly.”
More updates will come as they are made available.
The seemingly harmless 32-year-old comic tore the Trump administration and the media to shreds with her White House Correspondents’ Dinner stand-up gig … and it was beautiful.
The White House Correspondents’ Association (you know, those people who sit in the press room of the White House shouting questions that typically go unanswered or answered falsely by Press Secretary Sarah Huckabee Sanders) is treated annually with a nice dinner at the White House. The dinner is typically attended by the bulk of the administration, the president and vice president, members of the association intertwined with celebrities and other Washington big-wigs. However, in both 2017 and now 2018, Donald J. Trump has made the choice to not attend the festivities for one reason or another. In his place in 2018, Trump sent Huckabee Sanders.
The evening always boasts at least one entertainer, who in the past have included Jay Leno, Bob Hope, Wanda Sykes, Aretha Franklin, and many others. Last year, Daily Show senior correspondent, Hasan Minhaj, entertained the room, making one-liners about Trump, his staff, the turn-over rate (which even in late April of 2017 was alarmingly high), Russia, and, of course, the press. Minhaj committed himself to performing at the expense of the administration, and was widely regarded for doing so tastefully. This year, (also) Daily Show contributor/writer, Michelle Wolf, was tasked with the honor of performing … and she took no prisoners.
It was mesmerizing.
Throughout the bulk of her performance, Michelle Wolf took jabs at Donald Trump (“Trump is racist, though. He loves white nationalists, which is a weird term for a Nazi. Calling a Nazi a ‘white nationalist’ is like calling a pedophile a ‘kid friend,’ or Harvey Weinstein a ‘ladies man,’ which isn’t really fair — he also likes plants.”), Mike Pence (“Mike Pence is what happens when Anderson Cooper isn’t gay.”), Sarah Huckabee Sanders (“I loved you as Aunt Lydia in The Handmaid’s Tale. Mike Pence, if you haven’t seen it, you would love it.”), the press corps (about CNN:“You guys love breaking news, and you did it, you broke it! Good work!”) and so many others. When she took the stage, it was probably a general assumption that this tiny, 32-year-old, not-that-famous comedienne from Pennsylvania was going to perform some quick burns, but that she would do so apologetically and with respect to the administration.
What’s the old saying about assuming?
Michelle took the stage and held her own. She had no problem roasting individuals who were seated before her, and even those just a few chairs from her (read: Sanders). She delivered jokes with impeccable comedic timing and proved to the entire world that she’s just as pissed about the state of our nation’s government as many of us are. And by the time the dust had settled, Michelle Wolf became a name that everyone in America would soon know.
However, much like the 2016 election, reactions to the event were … well … divided. While many liberals and anti-Trump advocates rallied around Wolf and lamented their praises, the right, the administration, as well as a great deal of the media, felt differently. Just this morning, even the White House Correspondents’ Association president, Margaret Talev, even released a statement via Twitter responding to Saturday’s monologue. In the statement, Talev outlines that the spirit of the WHCD was “not to divide people”, and went so far as to state that Wolf’s set was not in the spirit of that mission.
Even the president felt the need to take to Twitter to comment on the performance he had not even the courage to attend, stating that Wolf “bombed.” Conversely, many big-names from the left have stepped up and sworn their allegiance to Wolf, supporting her and defending her in social media battles.
Yes, Michelle Wolf put on a performance that is going to be long-remembered, as well as one that will be go down in history as controversial. But why was it so controversial? It didn’t seem controversial when a scathing performance was given by the aforementioned Minhaj the year before. And while he too was met with criticism for some of his remarks by the right, the amount of blowback didn’t include a personal letter from the WHCA.
And why is it that America is so angry? (Let’s be honest, it’s mostly because she’s a liberal woman, and liberal women apparently shouldn’t have opinions … least of all express them). Wolf did her job. Not just as a comic (and it was really freaking funny), but as an American. She used the opportunity to point out through satire and rhetoric the issues that a great deal of Americans have with the administration, as well as the press (and even added to the end of her set that Flint, Michigan still doesn’t have clean water.). And while you may not often hear the words ‘fuck’ and ‘shit’ being shouted throughout the halls of the White House as they were last night (then again, how can I really know that?), Wolf’s commentary was tasteful and rewarding.
Trump is racist, though. He loves white nationalists, which is a weird term for a Nazi. Calling a Nazi a ‘white nationalist’ is like calling a pedophile a ‘kid friend,’ or Harvey Weinstein a ‘ladies man,’ which isn’t really fair — he also likes plants.
Everyone is concerned for Sarah Huckabee Sanders and President Trump for what Wolf had to say about them; but what about what those two say to all of us on a daily basis? It’s no secret that Donald Trump is a compulsive liar. He usually gets caught in his lies, denies them, is presented with evidence, denies that, and then comes around and says, “Oh, sure. Yeah. I think that did happen. But it’s okay, because it was just me.” Huckabee Sanders does nothing to help that situation, as she conveniently holds a title that requires her to relay a great deal of those lies to the press. And the problem with the both of them? As they’re spewing bullshit to America, they’re doing so with faces that read clearly: I believe what I’m saying is true. To add insult to injury, Trump doesn’t just tell lies, he’s also a self-proclaimed sexual assailant (refer to the Billy Bush recording travesty), and talks about people—often his constituents, mind you—as if they’re not people, but pawns in his real-life game of Monopoly.
Wolf did what Wolf was there to do and she did a damn fine job doing so. The backlash she’s receiving is basically to say that we are now supposed to hold the comics in this country to a higher standard than we are the leader of the free world. And that sort of assertion is, quite frankly, ridiculous. She tackled issues that people don’t want to talk about, including the press pandering to the president for ratings and money.
Wolf wasn’t what the crowd was expecting that night at the WHCD … and thankfully so. Whether you like what she had to say about the president, his administration, or the press, Wolf showed up and did her job the way that a comedian is supposed to (and much unlike the president’s record has proven, she did so without insulting the image or body of a single woman). When is the Trump administration going to show up to do their jobs the way they’re supposed to?
With Over Twenty-Three Million Views Social Media Sensation Alisha Mae To Release Debut Single “Bold” On April 20th
(NASHVILLE)– Social media singing sensation Alisha Mae is set to release her highly anticipated new single “BOLD” on April 20th. The powerful, upbeat rhythm paired with Mae’s wide vocal range highlighting Alisha’s edgy spin and modern country flare. The debut single delivers an anthem of positivity and strength of the ages.
Excitement among Mae fans is building on social media as they eagerly await the release of Mae’s debut single “Bold.” Mae found success after recording the moving ballad “Dancing In The Sky.” A song that Mae found comforting after the sudden loss of a family member. The recording became an instant viral hit on social media, racking up over twenty-three million views on Facebook alone. A journey that was filled with emotions.
As the 2018 calendar is filling up for new country releases, the social media sensation is giving her fans a taste of something ‘wild’ and ‘bold.’
“Bold” will be Mae’s first studio release that has an irresistible beat and risky flare, the lyrics dare you to live life to the fullest. “You know I don’t like to take things slow, let’s be wild, let’s be bold.” Those words have never been truer for Alisha Mae, and her fans will surely agree.
The 26-year old Virginia native won over fans in every territory with her incredible rendition of ‘Dancing In The Sky’, by Danny & Lizzy. The song was originally released on the musical app Smule™ propelling her into the country music spotlight. Mae has been creating a viral world that interacts with her followers and displays her outstanding vocal ability with hard-hitting and empowering words.
“Bold” was produced by Nashville legend Kent Wells. Wells is long-time musical director and producer for Dolly Parton. Wells has worked with artists like Reba McEntire, Travis Tritt, Linda Davis and Curtis Braly. Written by Corey Lee Barker, Mark Barnowski, and Allie L Shermetaro.
“Bold” will be available for pre-order April 9th and will be released across all streaming platforms April 20th.
LeAnn Rimes Strips Down ‘How Do I Live’ for Re-Imagined Version as Thank You to Fans
Re-Imagine ‘How Do I Live’ By LeAnn Rimes Available Now
(NASHVILLE) – It has been twenty-one years since LeAnn Rimes released possibly the greatest love song ever. Today, Rimes releases Re-Imagine, a beautiful rendition where she bares her soul, breaking down “How Do I Live”.
According to Billboard “How Do I Live” reached No. 2 on the Billboard Hot 100 in December 1997, reaching chart milestones left and right. The song eventually spent a then-record 69 weeks on the chart, nearly half of that in the top 10 alone — a record only recently broken by Ed Sheeran’s “Shape Of You” last year. And if you look at Billboard’s All-Time Top 100 songs ranking, you’ll see Rimes’ name sitting pretty at No. 4 for “Live.”
Re-Imagine is a slowed-down version of ‘How Do I Live.” The production is less smoke and mirrors and highlights what we have known all along, Rime’s vocals can still melt your heart, and cut deep, really deep. Re-Imagine takes you on a spiritual journey allowing you to experience “How Do I Live” like the very first time.
The new song, produced by powerhouse Darrell Brown serves as a personal thank you from Rimes to her fans. Re-Imagine is available at iTunes, Apple Music, Spotify and Amazon.